This is part of our series on the inaugural inductees of the Maestro Group Hall of Fame. These twelve individuals embody the principles of true sales professionals. We recognize them for their grit, their commitment to learning, and their dedication to elevating the sales profession.
October 16, 2024
What got Glynnis Purcell into the sales industry was Australia. What brought her to Australia was a junior year abroad. During that year, she fell in love with the country. Her plan was to move back and go into film acting, the craft she’d studied in high school and college. “I knew I could do a one-year working holiday visa [in Australia], and I was like, okay, well, worst case scenario, if I can’t break into the acting business in Australia, I’ll be 22 when I move back, and I’ll be young enough to go back and move to LA and be an actress.”
The casting agency she signed with was upfront about the fact that getting work as an American actor in Australia would be difficult, because of the accent. She looked for alternatives and landed on a job common to backpackers and other young visitors to the country. She was contracted out by marketing companies to do street fundraising for charities and other organizations. “I’ll call it my first quote-unquote sales role.”
There are people who might look down upon street fundraising, but Glynnis says, “I was doing face-to-face sales. So, I worked for companies like the Red Cross, Doctors Without Borders, Cancer Council, Cerebral Palsy Alliance, Fred Hollows Foundation, which is a New Zealand-based organization because I lived there for a year.” The setup provides a good deal for charities, too. The way Glynnis explains it, a TV ad spot might cost a charity a million dollars and yield a limited number of one-time donations, whereas third-party marketing companies, like the ones she worked for, would guarantee a quota of 15 two-year-commitment signups a week per employee.
A few weeks into the job, Glynnis was managing a team of other fundraisers. “It was a pretty hard grind. I would be going to backpackers after work and taking a case of beer and being like, ‘Hey, who wants a job?’ And then recruiting them, bringing them in, taking them out for an interview, and one of our requirements was you had to show them a sale in the interview process, so they would believe it was possible.” Then, in order for Glynnis to maintain her new position, those hires would need to meet their own quotas. She remembers a time when she was managing 12 fundraisers while still acting as a fundraiser with her own quota. “So, I would be sending 12 people out to, let’s say, six different territories…[have to] go to each territory, but still submit a quota of 15 sales a week.”
The upside was simple, though: “‘If you build a team, we will sponsor you to stay in Australia.’ And so I called my casting agency. I was like, ‘Take me off your roster. I got a job that’s going to sponsor me,’ and I never looked back.”
Leadership was where Glynnis flourished the most. “I’ve always really enjoyed training and coaching people.” This is the role within which she has continued, today as a principal in global specialized sales enablement at Workday, the software development company. In this position, she’s been able to pass along many of the lessons she’s learned as both a sales professional and a manager. Among them, in no particular order:
Although Glynnis left behind her formal acting career, she says she does see overlaps between acting and leadership. “I think the ability to focus and have rigor in a certain field, I think the adaptability that acting gives you, is similar to something you have to have in sales. You have to recover quickly.”
Glynnis is currently a Principal of Global Specialized Sales Enablement at Workday, an AI-driven finance and HR platform. You can learn more about Glynnis here. Be sure to congratulate her while you’re there!
Get the Maestro Mastery Blog, straight to your inbox.